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“Wait For Me Daddy,” October 1, 1940: A line of soldiers march in British Columbia on their way to a waiting train as five-year-old Whitey Bernard tugs away from his mother’s hand to reach out for his father.
Paige Bradley created one of the most striking sculptures I’ve seen in recent times. Her masterpiece, entitled Expansion, is a beautiful woman seeking inner piece but fractured and bleeding with light.
“From the moment we are born, the world tends to have a container already built for us to fit inside: a social security number, a gender, a race, a profession,” says Bradley. “I ponder if we are more defined by the container we are in than what we are inside. Would we recognize ourselves if we could expand beyond our bodies?”
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